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Reproduction as a problem of ontology and the value of an aesthetic object
RIGANOVÁ, Šárka
This thesis looks into problems of sensory indistinguishable Copy in ontology and evaluation of an aesthetic object in the field of fine arts. For this purpose it presents and compares chosen theoretical approaches of - Nelson Goodman, Reinold Schmücker, Günther Patzig, Eddy Zemach and Denise Dutton - on ontology of a work of art, an original and a Copy. It further observes approaches and solutions in the field of evaluating works of art and their Copies by already mentioned Nelson Goodman and then Arthur Koestler, Mark Sagoff, Kendall L. Waltonn and Tomáš Kulka, with emphasis on the theory of aesthetic dualism by Tomáš Kulka. His theory of aesthetic dualism, together with distinguishing identity of a work of art and its tangible holder (artefact; above all G. Patzig, E. Zemach), is initial for the suggestion of a new approach through aesthetic triadism. Aesthetic triadism suggests the solution of a problem of evaluating works of art and Copies with three values: aesthetic and artistic value (related to the work of art) and the value of authenticity (related to the artefact). This approach is afterwards confronted with mentioned theories of evaluation and then used in relation to aesthetic object, its constitution and evaluation. Aesthetic triadism leads to satisfying solutions of main and partial questions that are asked in this thesis - it leads to a conclusion that evaluation of a work of art and a Copy can be in theory comparable by its aesthetic and artistic value and different evaluation can be restricted only on the value of authenticity. On the other hand, in specific reception of works of art or Copies the value of authenticity can influence constitution and evaluation of an aesthetic object so much that it leads to a different view of an aesthetic object both in its aesthetic and artistic value.
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Food as an Aesthetic Object?
TOMANOVÁ, Kateřina
The aim of the bachelor thesis named "Food as an Aesthetic Object?" is to introduce the theoretical assumptions of the aesthetic concepts of Jan Mukařovský and then try to apply it to the theme of food. The next step will be the emphasis on psychical distance and aesthetic experience that will help us better understand food as an aesthetic object. In the third part we present some authors who deal with our topic and we can use them as a support in our research, because Jan Mukařovský doesn't express himself to theme of food. The intention of the thesis is to clarify whether food can be aesthetically conceived.
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Ontology of the aesthetic object and the value of the artwork, reproductions and forgery
RIGANOVÁ, Šárka
This bachelor thesis is focused on issues originals and copies of works of art (reproductions and forgeries), namely problems of constitution of the aesthetic object and its value. In this purpose I compare Nelson Goodman´s theory of autheticity of works of art to Eddy Zamach´s theory of identity of works of art. I compare these theories with Roman Ingarden´s theory of aesthetic object. I am focusing too on influence of non-aesthetic´s informations about artefacts (originals, reproduction, forgery) on constitution of aesthetic object and its judgment of value marginally.
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The role of places of indeterminacy in the proces of reading the work of art
Kadlčíková, Radka ; Kubalík, Štěpán (advisor) ; Ševčík, Miloš (referee)
The work is focussing on two aesthetic theories, which primarily deal with the reception of literary work of art. Thesis discusses about the phenomenological aesthetics of Roman Ingarden and reception aesthetics of Wolfgang Iser. Research is conducted to clarify the notion of indeterminacy places in a literary text and its function in it. Both authors explain this concept by their own approach to the reception of literary work of art. The method of work is defined by the description of these two presented theories, and by the end of the thesis, both approaches are compared. The aim of the thesis is to characterize both theories and define the concept of indeterminacy places within them. The aim is also to describe the moments in which Wolfgang Iser theories are inspired by Roman Ingarden and also the place where their theories do not agree and Iser revises it.
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The Garden as an Aesthetic Object (or as an Art?)
ŠPAKOVÁ, Eliška
This thesis addresses the issue of perception of ornamental gardens as it is discussed in works of contemporary philosophers David E. Cooper and Mara Miller. It will present the question of the garden as a specific aesthetic object, which is different from a natural aesthetic object on one side and an artwork on the other side. The thesis will also ask a question about the reasons why gardens are not considered to be in the area of art, or if and under what conditions it is currently possible to cogitate of gardens as artworks. In the final chapter, based on the previous chapters, the author will present her ideas about the origin of Czech gardens in a Japanese style. This final part deals with characteristics of Japanese gardens and compares them with the European concept of a garden.
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Issues of economical utilization of industrial monuments
Bok, Jan ; Kouba, Vojtěch (advisor) ; Hucková, Barbara (referee)
Thesis is focused on the phenomenon of industrial heritage. It deals with socio-cultural impact of industrialization on 19th century. It defines and classifies tangible evidence of those times. Supported by relevant literature it widens the knowledge of the theme of industrial heritage. Other main objective of the thesis is to define the concept of "industrial" in relation with arts and aesthetics of industrial heritage, proving the possibility of pure aesthetic contemplation by industrial themes and later applying of these findings in new economical use of abandoned structures. Apart from poll results there are also some photographs included which provide an insight on author's own aesthetic view on industrial heritage.
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Distance, Experience and Aesthetic Object
VÁCHOVÁ, Radka
The main hypothesis of this bachelor thesis is a defense of formation of the ?distance? ? which works as stimulus for aesthetic experience ? by means of which, the author tries to explain the specific characteristic of the ?aesthetic reception? as the main topic of the work. Basic source materials for this paper a study by Edward Bullough 'Psychical Distance' as a Factor in Art and an Aesthetic Principle and § 24/ by Roman Ingarden Aesthetis experience and aesthetic object.
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The Role of an Aesthetic Experience in the Aesthetic Writings of Roman Ingarden and Stephen Coburn Pepper
RADOSTOVÁ, Kristýna
The objective of this thesis is to analyze and compare the theories of an aesthetic experience of two signifiant personalities in the aesthetics of the 20th century, Roman Ingarden and Stephen Coburn Pepper. On the background of this analysis arise important questions to which this work in the light of the above theories will try to answer. What a role plays the physical work in aesthetic experience and to what extent is the percieving subject involved? What is the object of critical appreciation and on what basis do we judge the aesthetic values?
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Problematics of an Work of Art and its Value
ROLKOVÁ, Lenka
The theme of thesis is the problem of ontological statute in the work of art. There is approached to that theme in the base of examination of relation between the artefact and aesthetic object. In the second part of the work is the observation of problem of aesthetic and artistic value and the definition of their relation with the artefact, rather with the aesthetic object. The primary theoretical material are the work by Roman Ingarden and the studies of aesthetic by Jan Mukařovský.
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